{"id":5637,"date":"2023-07-03T11:19:55","date_gmt":"2023-07-03T08:19:55","guid":{"rendered":"https:\/\/vestnik.rsu.edu.ru\/?page_id=5637"},"modified":"2023-07-03T11:19:55","modified_gmt":"2023-07-03T08:19:55","slug":"%d1%80%d0%be%d0%bc%d0%b0%d0%bd%d0%be%d0%b2%d0%b0-%d0%b3-%d0%b8-%d1%80%d1%8f%d0%b1%d1%86%d0%b5%d0%b2%d0%b0-%d1%8e-%d0%b0","status":"publish","type":"page","link":"https:\/\/vestnik.rsu-rzn.ru\/en\/%d1%80%d0%be%d0%bc%d0%b0%d0%bd%d0%be%d0%b2%d0%b0-%d0%b3-%d0%b8-%d1%80%d1%8f%d0%b1%d1%86%d0%b5%d0%b2%d0%b0-%d1%8e-%d0%b0\/","title":{"rendered":"Romanova G. I., Ryabtseva Yu. A."},"content":{"rendered":"<p><\/p>\n<p>Poetic world of A. I. Solzhenitsyn\u2019s series, Krokhotki\u00a0\u00a0 \u0420. 134-140.<\/p>\n<p><a href=\"https:\/\/vestnik.rsu-rzn.ru\/wp-content\/uploads\/2023\/07\/13.pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-4264 size-full\" src=\"https:\/\/vestnik.rsu-rzn.ru\/wp-content\/uploads\/2020\/04\/pdf-2020.png\" alt=\"\" width=\"68\" height=\"85\" \/><\/a><\/p>\n<p>UDC 821.161.3-32.09\u00ab19\u00bb<\/p>\n<p>DOI: 10.37724\/RSU.2023.79.2.013<\/p>\n<p><strong><em>Abstract.<\/em><\/strong> The paper addresses such aspects of A. I. Solzhenitsyn\u2019s series of miniatures, <em>Krokhotki<\/em> as the author\u2019s poetic world, space and time, the plots, and the system of characters. The paper notes that the space of the cycle is discrete and fragmentary, and two layers are clearly distinguished in it: the one that is correlated with reality and a more general layer that is not connected with geographical space (like in the parable genre). The plot basis in the cycle is the spatial opposition of <em>here \u2013 everywhere<\/em>, corresponding to the opposition of the momentary to the eternal, is, which has an autobiographical basis: the author\u2019s journey through Russia, mainly Ryazan Region. The main conflict lies in the conscious opposition of the patriot-intellectual to the official ideology, which requires citizens to express \u201cuniversal satisfaction,\u201d that is, an optimistic assessment of their life. The same conflict can be traced in the system of characters, where it is possible to single out groups of agents associated with a certain space. The picture of the world is presented in the cycle by the primary subject of speech, as close as possible to the author, his speech is sharply separated from the statements of other characters, but involves a dialogue with the understanding reader. The artistic specificity of Solzhenitsyn\u2019s miniature stories, in particular features of a parable, moral instruction, and the author\u2019s interest in using folk speech, are perceived by the modern reader in line with the literary tradition that manifested itself in L. N. Tolstoy\u2019s stories written for the common folk.<\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>Keywords:<\/em><\/strong> composition, literary tradition, space and time, system of characters, plot, poetic world, A.\u00a0I.\u00a0Solzhenitsyn, L. N. Tolstoy.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Bibliography <\/strong><\/p>\n<ol>\n<li>Akelkina E. A. Principles of artistic synthesis in the organization of the philosophical series of miniatures <em>Krokhotki<\/em> by A. I. Solzhenitsyn. <em>Nauka o cheloveke: gumanitarnyye issledovaniya<\/em> [Science of Man: Humanitarian Research]. 2019, iss. 2 (36), pp. 10\u201314. (In Russian).<\/li>\n<li>Galaninskaya S. V. Alexander Solzhenitsyn\u2019s <em>Krokhotki<\/em> as a continuation of the tradition of Russian poems in prose. A few aspects. <em>Aleksandr Solzhenitsyn: vzglyad iz XXI veka: materialy mezhdunar. nauch. konf. <\/em>[Alexander Solzhenitsyn: a view from the XXI century: materials of the international scientific conf.]. Moscow, Russian Way Publ., 2019, pp. 368\u2013374. (In Russian).<\/li>\n<li>Galaninskaya S. V. Synthesis of verse and prose in Alexander Solzhenitsyn&#8217;s <em>Krokhotki<\/em>: development of some genre features of poems in prose. <em>Sintez v russkoy i mirovoy khudozhestvennoy kulture: materialy XXI Vseros. nauch.-prakt. konf. <\/em>[Synthesis in Russian and world artistic culture: materials of the XXI All-Russian. scientific-practical. conf.]. Moscow, Yaroslavl, Agency \u201cLitera\u201d Publ., 2021, pp. 30\u201336. (In Russian).<\/li>\n<li>Gekhtlyar S., Pugacheva O. Text architectonics as an indicator of genre identity (as illustrated in A.\u00a0I.\u00a0Solzhenitsyn\u2019s <em>Krokhotki<\/em>). <em>Vestnik Bryanskogo gosudarstvennogo universiteta <\/em>[Bulletin of Bryansk State University]. 2012, iss. 2, pp. 273\u2013276. (In Russian).<\/li>\n<li>Kizima M. P. Genre originality of A. I. Solzhenitsyn\u2019s shorter prose (<em>Krokhotki<\/em> 1958\u20131963, 1996\u20131999). <em>Vestnik Tomskogo gosudarstvennogo universiteta<\/em> [Bulletin of Tomsk State University]. 2020, iss. 3, pp. 191\u2013208. (In Russian).<\/li>\n<li>Kolobaeva L. A. <em>Krokhotki<\/em>: the phenomenon of Solzhenitsyn. <em>Literaturnoye obozreniye<\/em> [Literary Review]. 1999, iss. 1, pp. 39\u201344. (In Russian).<\/li>\n<li>Kostanyan N. N. <em>Naslediye nashego proshlogo. Filosofskiye zarisovki A. I. Solzhenitsyna o sovremennosti i sovremennikakh (po rasskazam-krokhotkam): iz tsikla \u201cPonimaniye i tolkovaniye znachimykh tekstov russkoy literatury\u201d<\/em> [The legacy of our past. Philosophical sketches by A. I. Solzhenitsyn about modernity and contemporaries (based on tiny stories): from the cycle \u201cUnderstanding and Interpreting Significant Texts of Russian Literature\u201d]. Moscow, Buki Vedi Publ., 2022, 110 p. (In Russian).<\/li>\n<li>Kubasov A. V. Interference of material things and social principles in A. I. Solzhenitsyn\u2019s Krokhotki. <em>Aleksandr Solzhenitsyn: vzglyad iz XXI veka: Materialy mezhdunar. nauch. konf.\u00a0<\/em> [Alexander Solzhenitsyn: a view from the XXI century: Proceedings of the Intern. scientific conf.]. Moscow, Russian Way Publ., 2019, pp. 375\u2013382. (In Russian).<\/li>\n<li>Meshkov Yu. A. <em>Aleksandr Solzhenitsyn. <\/em><em> Tvorchestvo. Vremya<\/em> [Alexander Solzhenitsyn. Personality. Creation. Time]. Yekaterinburg, Diamant Publ., 1993, 101 p. (In Russian).<\/li>\n<li>Nivat G. Postage: Monde en miniature et <em>gravit\u00e9<\/em> du monde&#8230; from French by T. Viktorova. <em>Solj\u00e9nitsyne A. \u00c9tudes &amp; Miniatures Krokhotki. <\/em>Trad. par L. Nivat et N. Struve; postfage de G. Nivat. Paris, YMCA-Press Publ., 2018, pp. 92\u2013111. (In Russian).<\/li>\n<li>Orlitsky Yu. A. Solzhenitsyn\u2019s<em> Krokhotki<\/em> in the context of the traditions of Russian \u201csmall prose\u201d. <em>Russkaya klassika XX veka: predely interpretatsiyi<\/em> [Russian classics of the XX century: the limits of interpretation]. Stavropol, SGPU Publ., 1995, pp. 80\u201386. (In Russian).<\/li>\n<li>Saraskina L. <em>Solzhenitsyn, 2-ye izd.<\/em> [Solzhenitsyn, 2<sup>nd<\/sup>] Moscow, Molodaya Gvardia Publ., 2018, 959 p. (In Russian).<\/li>\n<li>Solzhenitsyn A. I. Etudes and tiny stories. <em>Grani <\/em>[Facets]. Frankfurt am Main, 1964, iss. 56, pp. I\u2013XI. (In Russian).<\/li>\n<li>Solzhenitsyn A. I. <em>Sobraniye sochineniy: v 30 t. <\/em>[Collected works: in 30 vols.]. Ed. N. Solzhenitsyna. Moscow, Vremya Publ., 2007\u20132018, vol. 1, 2006, 666 p., vol. 28, 2018, 768 p. (In Russian).<\/li>\n<li>Urmanov A. The Material and the Ideal in the Early <em>Krokhotki<\/em> Series (about Solzhenitsyn\u2019s worldview). <em>Malyye zhanrovyye formy v tvorchestve A. Solzhenitsyna. Khudozhestvennyy mir. Poetika. Kulturnyy kontekst<\/em> [Small genre forms in the work of A. Solzhenitsyn. Artistic world. Poetics. Cultural context]. Blagoveshchensk, Blagoveshchensk state. ped. University Publ., 2011, pp. 41\u201361. (In Russian).<\/li>\n<li>Tsynk S. V. The image of the author in the nominal prayer of A. I. Solzhenitsyn. <em>Nauchnoye obozreniye: gumanitarnyye issledovaniya<\/em> [Scientific Review: Humanitarian Studies]. 2017, iss. 12\u201313, pp. 55\u201362. (In Russian).<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Poetic world of A. I. Solzhenitsyn\u2019s series, Krokhotki\u00a0\u00a0 \u0420. 134-140. UDC 821.161.3-32.09\u00ab19\u00bb DOI: 10.37724\/RSU.2023.79.2.013 Abstract. The paper addresses such aspects of A. I. Solzhenitsyn\u2019s series of miniatures, Krokhotki as the author\u2019s poetic world, space and time, the plots, and the system of characters. The paper notes that the space of the cycle is discrete and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-5637","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages\/5637","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/comments?post=5637"}],"version-history":[{"count":0,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages\/5637\/revisions"}],"wp:attachment":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/media?parent=5637"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/categories?post=5637"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/tags?post=5637"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}