{"id":5723,"date":"2023-11-06T22:54:44","date_gmt":"2023-11-06T19:54:44","guid":{"rendered":"https:\/\/vestnik.rsu.edu.ru\/?page_id=5723"},"modified":"2023-11-06T22:54:44","modified_gmt":"2023-11-06T19:54:44","slug":"%d1%81%d0%b8%d0%b4%d0%be%d1%80%d0%be%d0%b2%d0%b0-%d0%be-%d0%b3-%d0%bf%d0%be%d0%bb%d1%83%d1%8d%d0%ba%d1%82%d0%be%d0%b2%d0%b0-%d1%82-%d0%b0","status":"publish","type":"page","link":"https:\/\/vestnik.rsu-rzn.ru\/en\/%d1%81%d0%b8%d0%b4%d0%be%d1%80%d0%be%d0%b2%d0%b0-%d0%be-%d0%b3-%d0%bf%d0%be%d0%bb%d1%83%d1%8d%d0%ba%d1%82%d0%be%d0%b2%d0%b0-%d1%82-%d0%b0\/","title":{"rendered":"Sidorova O. G., Poluektova T. A."},"content":{"rendered":"<p><\/p>\n<p><span style=\"font-weight: 400;\">Functionality of photographic ekphrasis in the genre of a Christmas story (J. Coe, P. Auster) P. 118 -126.<\/span><\/p>\n<p><a href=\"https:\/\/vestnik.rsu-rzn.ru\/wp-content\/uploads\/2023\/11\/12.pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-4264 size-full\" src=\"https:\/\/vestnik.rsu-rzn.ru\/wp-content\/uploads\/2020\/04\/pdf-2020.png\" alt=\"\" width=\"68\" height=\"85\" \/><\/a><\/p>\n<p><span style=\"font-weight: 400;\">UDC 821(1-87)-3.09<\/span><\/p>\n<p><span style=\"font-weight: 400;\">DOI 10.37724\/RSU.2023.80.3.012<\/span><\/p>\n<p><b><i>Abstract<\/i><\/b><i><span style=\"font-weight: 400;\">.<\/span><\/i> <span style=\"font-weight: 400;\">The article deals with the functionality of photographic ekphrasis in short prose by contemporary Anglo-American writers. The materials for the research are quite representative stories by Jonathan Coe <\/span><i><span style=\"font-weight: 400;\">Ivy and Her Nonsense<\/span><\/i><span style=\"font-weight: 400;\"> (1995) and Paul Auster\u2019s <\/span><i><span style=\"font-weight: 400;\">Auggie Wren\u2019s Christmas Story<\/span><\/i><span style=\"font-weight: 400;\"> (1990) (no Russian translations have been published). The authors of the article consider these works from the point of view of the classical Christmas tale genre and observe such preserved features of the Christmas story as the timing of events to the Christmas season, the theme of the family, the main character who is a child or an adult in a state of spiritual crisis, representatives of the infernal world, a Christmas gift, a miracle, return to God through prayer, the voice of a storyteller, a happy ending, and a moral, or \u201cChristmas philosophy\u201d. Using the comparative method, the authors conclude that J. Coe and P. Auster, on the one hand, follow the rich British tradition of Christmas tales originating in the 19<\/span><span style=\"font-weight: 400;\">th<\/span><span style=\"font-weight: 400;\"> century, and on the other hand, reconsider its potential, introducing photography as a special philosophical and aesthetic category. Photographic ekphrasis is one of the main narrative strategies in artistic practice of the late 20<\/span><span style=\"font-weight: 400;\">th<\/span><span style=\"font-weight: 400;\"> \u2014 early 21<\/span><span style=\"font-weight: 400;\">st<\/span><span style=\"font-weight: 400;\"> centuries. That is why special attention is paid to the functioning of the genre at various poetological levels, although preserving the genre-defining functions. The research conducted makes it possible to attribute the two stories to the genre of photo-enhanced Christmas stories, as artistic experiments, due to the great influence of postmodern aesthetics and the originality of the artistic method of each writer. The results of the current study can be applied in study of Christmas prose written by modern English-language authors and related to the current-time context.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b><i>Keywords:<\/i><\/b><span style=\"font-weight: 400;\"> Jonathan Coe, <\/span><i><span style=\"font-weight: 400;\">Ivy and Her Nonsense<\/span><\/i><span style=\"font-weight: 400;\">, Paul Auster, <\/span><i><span style=\"font-weight: 400;\">Auggie Wren\u2019s Christmas Story<\/span><\/i><span style=\"font-weight: 400;\">, genre, postmodernism, Christmas story, photographic ekphrasis.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Bibliography\u00a0<\/b><\/p>\n<ol>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Bakhtin M. M. Problems of Dostoevsky\u2019s Poetics. <\/span><i><span style=\"font-weight: 400;\">Sobraniye sochineniy: v 7 t. <\/span><\/i><span style=\"font-weight: 400;\">[<\/span><span style=\"font-weight: 400;\">Collected Works: in 7 vols.]. 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From Auster to Wang: Postmodern Indeterminacy, \u201cAuggie Wren\u2019s Christmas Story\u201d, and SMOKE. <\/span><i><span style=\"font-weight: 400;\">Literature and Aesthetics<\/span><\/i><span style=\"font-weight: 400;\">. 2011, pp. 127\u2013146.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Tucker J. <\/span><i><span style=\"font-weight: 400;\">Nature Exposed: Photography as Eyewitness in Victorian Science<\/span><\/i><span style=\"font-weight: 400;\">. Baltimore, 2005, pp.\u00a065\u2013125.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Willburn S. Viewing History and Fantasy through Victorian Spirit Photography. <\/span><i><span style=\"font-weight: 400;\">The Ashgate Research Companion to Nineteenth-Century Spiritualism and the Occult<\/span><\/i><span style=\"font-weight: 400;\">. S. A. Willburn, T. Kontou (eds.). <\/span><span style=\"font-weight: 400;\">Farnham, Burlington, Ashgate, 2012, p<\/span><span style=\"font-weight: 400;\">\u0440. 359\u2013381.\u00a0<\/span><\/li>\n<\/ol>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Functionality of photographic ekphrasis in the genre of a Christmas story (J. Coe, P. Auster) P. 118 -126. UDC 821(1-87)-3.09 DOI 10.37724\/RSU.2023.80.3.012 Abstract. The article deals with the functionality of photographic ekphrasis in short prose by contemporary Anglo-American writers. The materials for the research are quite representative stories by Jonathan Coe Ivy and Her Nonsense [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-5723","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages\/5723","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/comments?post=5723"}],"version-history":[{"count":0,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages\/5723\/revisions"}],"wp:attachment":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/media?parent=5723"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/categories?post=5723"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/tags?post=5723"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}