{"id":5726,"date":"2023-11-06T22:57:07","date_gmt":"2023-11-06T19:57:07","guid":{"rendered":"https:\/\/vestnik.rsu.edu.ru\/?page_id=5726"},"modified":"2023-11-06T22:57:07","modified_gmt":"2023-11-06T19:57:07","slug":"%d1%86%d0%b0%d1%80%d0%b5%d0%b2%d0%b0-%d0%b5-%d0%b2-2","status":"publish","type":"page","link":"https:\/\/vestnik.rsu-rzn.ru\/en\/%d1%86%d0%b0%d1%80%d0%b5%d0%b2%d0%b0-%d0%b5-%d0%b2-2\/","title":{"rendered":"Tsareva E. V."},"content":{"rendered":"<p><\/p>\n<p><span style=\"font-weight: 400;\">Document and fiction in Julian Barnes\u2019s <\/span><i><span style=\"font-weight: 400;\">The Man in the Red Coat<\/span><\/i><span style=\"font-weight: 400;\">\u00a0 P. 127-136\/<\/span><\/p>\n<p><a href=\"https:\/\/vestnik.rsu-rzn.ru\/wp-content\/uploads\/2023\/11\/13.pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-4264 size-full\" src=\"https:\/\/vestnik.rsu-rzn.ru\/wp-content\/uploads\/2020\/04\/pdf-2020.png\" alt=\"\" width=\"68\" height=\"85\" \/><\/a><\/p>\n<p><span style=\"font-weight: 400;\">UDC 821.111-31.09\u00ab19\u00bb<\/span><\/p>\n<p><span style=\"font-weight: 400;\">DOI 10.37724\/RSU.2023.80.3.013<\/span><\/p>\n<p><b><i>Abstract<\/i><\/b><i><span style=\"font-weight: 400;\">.<\/span><\/i><span style=\"font-weight: 400;\"> The article is devoted to a book written by the modern British writer Julian Barnes, <\/span><i><span style=\"font-weight: 400;\">The Man in the Red Coat <\/span><\/i><span style=\"font-weight: 400;\">(2019). The relevance of the work lies in the current need to comprehend the genre of the book, its artistic and stylistic bases, which have not been fully addressed by contemporary scholarship. The purpose of the work is to identify the relationship between fiction and document in the book <\/span><i><span style=\"font-weight: 400;\">The Man in the Red Coat<\/span><\/i><span style=\"font-weight: 400;\">. The conclusion to the research substantiates that the text of the book is based on interpenetration of artistic and documentary principles. The paper shows that this artistic principle is presented in Barnes\u2019s book at various levels and in a variety of forms and means. First of all, these are the features of his narrative strategy. Secondly, the artistic principle in the book is provided by referring to a wide range of literary sources (intertextuality). Equally significant means embrace the use of intermedial tropes, allusions to painting, photography, music and, in general, to all arts at the turn of the 19<\/span><span style=\"font-weight: 400;\">th<\/span><span style=\"font-weight: 400;\">\u201320<\/span><span style=\"font-weight: 400;\">th<\/span><span style=\"font-weight: 400;\"> centuries. The list of precedent texts, paintings of and music embrace a wide range of French and British authors at the turn of the 19<\/span><span style=\"font-weight: 400;\">th<\/span><span style=\"font-weight: 400;\">\u201320<\/span><span style=\"font-weight: 400;\">th<\/span><span style=\"font-weight: 400;\"> centuries. In addition, the very opening of the book is characterized by figurativeness, brightness and expressive language, the irony inherent in the author\u2019s style, etc. Thus, the paper proves that the book rests on both documentary and poetic bases. The results of the research can be further applied in teaching history of foreign literature and specifically J. Barnes\u2019s works.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b><i>Keywords<\/i><\/b><i><span style=\"font-weight: 400;\">:<\/span><\/i> <span style=\"font-weight: 400;\">British literature, J. Barnes, intertextuality, intermedial tropes, narrative strategy, non-fiction.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Bibliography\u00a0<\/b><\/p>\n<ol>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Barnes J. <\/span><i><span style=\"font-weight: 400;\">Portret muzhchiny v krasnom <\/span><\/i><span style=\"font-weight: 400;\">[The Man in the Red Coat]. Transl. from Engl. by E. Petrova]. Moscow, Inostranka, Azbuka-Atticus Publ., 2020, 352 p. <\/span><span style=\"font-weight: 400;\">(In Russian).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Bochkareva N. S. Functions of pictorial ekphrasis in Gregory Norminton\u2019s novel <\/span><i><span style=\"font-weight: 400;\">Ship of Fools<\/span><\/i><span style=\"font-weight: 400;\">. <\/span><i><span style=\"font-weight: 400;\">Vestnik Permskogo universiteta. Rossiyskaya i zarubezhnaya filologiya<\/span><\/i><span style=\"font-weight: 400;\"> [Bulletin of Perm University. Russian and foreign philology]. 2009, iss. 6, pp. 81\u201392. <\/span><span style=\"font-weight: 400;\">(In Russian).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Grebenchuk Y. S. <\/span><i><span style=\"font-weight: 400;\">Problema \u201cfilologicheskogo romana\u201d v angliyskoy literature (Popugay Flobera Dzh. Barnsa, Chatterton P. Akroyda, Oderzhimost A. Bayyett) <\/span><\/i><span style=\"font-weight: 400;\">[The problem of the \u201cphilological novel\u201d in English literature (<\/span><i><span style=\"font-weight: 400;\">Flaubert\u2019s Parrot<\/span><\/i><span style=\"font-weight: 400;\"> by J. Barnes, <\/span><i><span style=\"font-weight: 400;\">Chatterton<\/span><\/i><span style=\"font-weight: 400;\"> by P. Ackroyd, <\/span><i><span style=\"font-weight: 400;\">Possession<\/span><\/i><span style=\"font-weight: 400;\"> by A. Byatt)]. Abstract of dissertation of Candidate of Philology, 10.01.03. Voronezh, 2008, 18 p. <\/span><span style=\"font-weight: 400;\">(In Russian).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Efimov A. V. Narrative strategy of manifestation in <\/span><i><span style=\"font-weight: 400;\">The Man in the Red Coat<\/span><\/i><span style=\"font-weight: 400;\"> by J. Barnes. <\/span><i><span style=\"font-weight: 400;\">Rossiyskiy gumanitarnyy zhurnal<\/span><\/i><span style=\"font-weight: 400;\"> [<\/span><span style=\"font-weight: 400;\">Russian Humanitarian Journal]. 2020, vol. 9, iss. 6, pp. 406\u2013414. <\/span><span style=\"font-weight: 400;\">(In Russian).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Efimov A. V. Narrative strategy of manifestation in the novel <\/span><i><span style=\"font-weight: 400;\">Talking It Over<\/span><\/i><span style=\"font-weight: 400;\"> by J. Barnes. <\/span><i><span style=\"font-weight: 400;\">Mir nauki, kultury, obrazovaniya<\/span><\/i><span style=\"font-weight: 400;\"> [World of science, culture, education]. 2022, iss. 3 (94), pp. 279\u2013281. <\/span><span style=\"font-weight: 400;\">(In Russian).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Kolodinskaya E. V. <\/span><i><span style=\"font-weight: 400;\">Istoricheskoye proshloye kak predmet vyskazyvaniya: sovremennaya angloyazychnaya proza i postmodernistskaya istoriografiya: G. Svift, Dzh. Barns <\/span><\/i><span style=\"font-weight: 400;\">[The historical past as a subject of utterance: modern English-language prose and postmodern historiography: G. Swift, J. Barnes: dissertation of Philology Candidate: 10.01.03]. Moscow, 2004, 139 p. <\/span><span style=\"font-weight: 400;\">(In Russian).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Mestergazi E. G. <\/span><i><span style=\"font-weight: 400;\">Khudozhestvennaya slovesnost i realnost: dokumentalnoye nachalo v otechestvennoy literature XX v. <\/span><\/i><span style=\"font-weight: 400;\">[Fiction and Reality: Documentary Origins in Russian Literature of the 20<\/span><span style=\"font-weight: 400;\">th<\/span><span style=\"font-weight: 400;\"> Century]. Abstract of Dissertation of Doctor of Philology, 10.01.08. Moscow, 2008, 49 p. <\/span><span style=\"font-weight: 400;\">(In Russian).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Muratova Ya. Yu. <\/span><i><span style=\"font-weight: 400;\">Mifopoetika v sovremennom angliyskom romane: D. Barns, A. Bayyett, D. Faulz <\/span><\/i><span style=\"font-weight: 400;\">[<\/span><span style=\"font-weight: 400;\">Mythopoetics in the modern English novel: J.\u00a0Barnes, A. Byatt, J. Fowles]. Abstract of Dissertation of Philology Candidate, 10.01.03. Moscow, 1999, 27 p. <\/span><span style=\"font-weight: 400;\">(In Russian).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Pilipey N. A. Julian Barnes\u2019s work in critical reviews: issues and prospects. <\/span><i><span style=\"font-weight: 400;\">Uchenyye zapiski Krymskogo federalnogo universiteta imeni V.\u00a0I.\u00a0Vernadskogo. Filologicheskiye nauki <\/span><\/i><span style=\"font-weight: 400;\">[<\/span><span style=\"font-weight: 400;\">Uchenye zapiski of Crimean Federal University named after V.\u00a0I.\u00a0Vernadsky. Philological Sciences]. 2016, vol. 2 (68), iss. 2, part 2, pp. 123\u2013128. <\/span><span style=\"font-weight: 400;\">(In Russian).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Fateyeva N. A. <\/span><i><span style=\"font-weight: 400;\">Intertekst v mire tekstov: kontrapunkt intertekstualnosti <\/span><\/i><span style=\"font-weight: 400;\">[Intertext in the world of texts: counterpoint of intertextuality]. 3<\/span><span style=\"font-weight: 400;\">rd<\/span><span style=\"font-weight: 400;\"> ed. Moscow, KomKniga Publ., 2007, 280 p. <\/span><span style=\"font-weight: 400;\">(In Russian).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><i><span style=\"font-weight: 400;\">Ekfrasis v russkoy literature: tr. Lozanskogo simpoziuma <\/span><\/i><span style=\"font-weight: 400;\">[Ekphrasis in Russian Literature: transcript of Lausanne Symposium]. Ed. L. Geller. Moscow, MIK Publ., 2002, 216 p. <\/span><span style=\"font-weight: 400;\">(In Russian).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><i><span style=\"font-weight: 400;\">Ekfrasticheskiye zhanry v klassicheskoy i sovremennoy literature: monogr. <\/span><\/i><span style=\"font-weight: 400;\">[<\/span><span style=\"font-weight: 400;\">Ekphrastic genres in classical and modern literature: monograph]. N. S. Bochkareva, K. V. Zagorodneva, E. O. Ponomarenko [and others]; gen. ed. N. S. Bochkareva. Perm, Perm State Natural Research University Publ., 2014, 204 p. <\/span><span style=\"font-weight: 400;\">(In Russian).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Yuzefovich G. <\/span><i><span style=\"font-weight: 400;\">A new book by Julian Barnes has been published.<\/span><\/i><span style=\"font-weight: 400;\"> Available at: <\/span><a href=\"https:\/\/www.livelib.ru\/news\/post\/56080-vyshla-novaya-kniga-dzhuliana-barnsa-eto-romanesse-portret-muzhchiny-v-krasnom-o-prekrasnoj-epohe-v-istorii-evropy-a-na-samom-dele-o-brekzite?ysclid=ldtwmcl6fy452892806\"><span style=\"font-weight: 400;\">https:\/\/www.livelib.ru\/news\/post\/56080-vyshla-novaya-kniga-dzhuliana-barnsa-eto-romanesse-portret-muzhchiny-v-krasnom-o-prekrasnoj-epohe-v-istorii-evropy-a-na-samom-dele-o-brekzite?ysclid=ldtwmcl6fy452892806<\/span><\/a><span style=\"font-weight: 400;\"> (accessed: 07.02.2023). <\/span><span style=\"font-weight: 400;\">(In Russian).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Barnes J. <\/span><i><span style=\"font-weight: 400;\">The Man in the Red Coat<\/span><\/i><span style=\"font-weight: 400;\">. London, Jonathan Care LTD, 2019, 280 p.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Martin J. <\/span><i><span style=\"font-weight: 400;\">Inventing Towards Truth: Theories of History and the Novels of Julian Barnes (Master of Arts)<\/span><\/i><span style=\"font-weight: 400;\">. University of Arkansas, 2001. Available at: <\/span><a href=\"https:\/\/wheatdesign.com\/pdf\/martin_barnes_thesis.pdf%20(%D0%B4%D0%B0%D1%82%D0%B0%20%D0%BE%D0%B1%D1%80%D0%B0%D1%89%D0%B5%D0%BD%D0%B8%D1%8F%2025.03.2023\"><span style=\"font-weight: 400;\">https:\/\/wheatdesign.com\/pdf\/martin_barnes_thesis.pdf (accessed: 25.03.2023<\/span><\/a><span style=\"font-weight: 400;\">).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Moseley M. <\/span><i><span style=\"font-weight: 400;\">Understanding Julian Barnes<\/span><\/i><span style=\"font-weight: 400;\">. Univ. of South Carolina Press, 1997, 98 \u0440.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Sesto B. Language, History, and Metanarrative in the Fiction of Julian Barnes. <\/span><i><span style=\"font-weight: 400;\">Studies in Twentieth-Century British Literature<\/span><\/i><span style=\"font-weight: 400;\">. 2001, vol. 3, 170 p.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Whiteread R. <\/span><i><span style=\"font-weight: 400;\">Julian Barnes Tells His Neighbor Rachel Whiteread What Pisses Him Off About Grief<\/span><\/i><span style=\"font-weight: 400;\">. Available at: <\/span><a href=\"https:\/\/www.interviewmagazine.com\/culture\/julian-barnes-the-man-in-the-red-coat%20(%D0%94%D0%B0%D1%82%D0%B0%20%D0%BE%D0%B1%D1%80%D0%B0%D1%89%D0%B5%D0%BD%D0%B8%D1%8F%2007.02.2023\"><span style=\"font-weight: 400;\">https:\/\/www.interviewmagazine.com\/culture\/julian-barnes-the-man-in-the-red-coat (accessed: 07.02.2023<\/span><\/a><span style=\"font-weight: 400;\">).<\/span><\/li>\n<\/ol>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Document and fiction in Julian Barnes\u2019s The Man in the Red Coat\u00a0 P. 127-136\/ UDC 821.111-31.09\u00ab19\u00bb DOI 10.37724\/RSU.2023.80.3.013 Abstract. The article is devoted to a book written by the modern British writer Julian Barnes, The Man in the Red Coat (2019). The relevance of the work lies in the current need to comprehend the genre [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-5726","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages\/5726","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/comments?post=5726"}],"version-history":[{"count":0,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages\/5726\/revisions"}],"wp:attachment":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/media?parent=5726"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/categories?post=5726"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/tags?post=5726"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}