{"id":5786,"date":"2024-01-18T13:49:12","date_gmt":"2024-01-18T10:49:12","guid":{"rendered":"https:\/\/vestnik.rsu.edu.ru\/?page_id=5786"},"modified":"2024-01-18T13:49:12","modified_gmt":"2024-01-18T10:49:12","slug":"%d0%b0%d0%bb%d1%82%d1%8b%d0%bd%d0%b1%d0%b0%d0%b5%d0%b2%d0%b0-%d0%b3-%d0%bc-%d0%b3%d0%b5%d1%80%d0%b0%d1%81%d0%b8%d0%bc%d0%be%d0%b2%d0%b0-%d0%bb-%d0%b5","status":"publish","type":"page","link":"https:\/\/vestnik.rsu-rzn.ru\/en\/%d0%b0%d0%bb%d1%82%d1%8b%d0%bd%d0%b1%d0%b0%d0%b5%d0%b2%d0%b0-%d0%b3-%d0%bc-%d0%b3%d0%b5%d1%80%d0%b0%d1%81%d0%b8%d0%bc%d0%be%d0%b2%d0%b0-%d0%bb-%d0%b5\/","title":{"rendered":"Altynbayeva G. M., Gerasimova L. E."},"content":{"rendered":"<p><\/p>\n<p>The Chekhovian code in A. Solzhenitsyn\u2019s <em>The Gulag Archipelago<\/em>. Pp. 80\u201386.<\/p>\n<p><a href=\"https:\/\/vestnik.rsu-rzn.ru\/wp-content\/uploads\/2024\/01\/08-\u0410\u043b\u0442\u044b\u043d\u0431\u0430\u0435\u0432\u0430-\u0413.\u041c.-\u0413\u0435\u0440\u0430\u0441\u0438\u043c\u043e\u0432\u0430-\u041b.\u0415.-\u0412\u0435\u0441\u0442\u043d\u0438\u043a-\u2116-4_-2023-1.pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-4264 size-full\" src=\"https:\/\/vestnik.rsu-rzn.ru\/wp-content\/uploads\/2020\/04\/pdf-2020.png\" alt=\"\" width=\"68\" height=\"85\" \/><\/a><\/p>\n<p>UDC 821.161.1-31.09&#8243;19&#8243;<\/p>\n<p>DOI 10.37724\/RSU.2023.81.4.008<\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>Abstract<\/em><\/strong><strong>. <\/strong>The article investigates <em>The Gulag Archipelago<\/em> and demonstrates the influence of Chekhov\u2019s poetics on A. I. Solzhenitsyn\u2019s work. The authors of the research do not discuss the obvious connections between the works <em>The Island<\/em> <em>of Sakhalin <\/em>and <em>The Gulag Archipelago<\/em>, but bring out the aesthetic continuity of Solzhenitsyn arising from Chekhov, first and foremost, his high moral and philosophical understanding of man, recorded in his articles, letters, and artistic texts. In \u201cclose reading\u201d of Solzhenitsyn\u2019s \u201cexperiment in literary investigation,\u201d the authors have identified a number of references to Chekhov, ranging from direct ones to implications, confirming not only artistic, but also personal reasons for Solzhenitsyn\u2019s dialogue with Chekhov. The main criterion here is the moral position of the 19<sup>th<\/sup>-century classic, his \u201cnormal\u201d worldview, his perception of Russia at the turn of the 20<sup>th<\/sup> century. The article proposes a clarification of the concept of the \u201cChekhovian code\u201d in Solzhenitsyn. The Code includes not only direct allusions to Chekhov\u2019s texts, but also references to Chekhov\u2019s position in understanding man and his understanding of the conflict between a personality and the powers that be; at the same time, the \u201cChekhovian code\u201d in <em>The Gulag Archipelago<\/em> also includes Solzhenitsyn\u2019s argument with Chekhov, with his attitude towards the reader\u2019s perception of time that had become \u201coutdated\u201d for the 20<sup>th<\/sup> century. Thus, Solzhenitsyn, in his \u201csearch for reality\u201d (L. Ya. Ginzburg), analyzing his material gained confidence that \u201cthe word will destroy concrete\u201d (<em>Nobel Lecture<\/em>), shows the boundaries of new writing. The materials for the present research included an interview with Solzhenitsyn, the text of <em>The Gulag Archipelago<\/em>, as well as works dedicated to him by Russian and foreign authors.<\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p><strong><em>Keywords: <\/em><\/strong>A. I. Solzhenitsyn, <em>The Gulag Archipelago<\/em>, A. P. Chekhov.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>Bibliography<\/strong><\/p>\n<ol>\n<li>Altynbaeva G. M. Dialogue with a classic as a metapoetic principle of A. I. Solzhenitsyn (\u201cPlunging into Chekhov\u201d). <em>Izvestiya Saratovskogo universitetata. Novaya seriya. Ser. \u201cFilologiya. Zhurnalistika\u201d<\/em> [News of the Saratov University. New series. Ser. \u201cPhilology. Journalism\u201d]. 2021, vol. 21, iss. 1, pp. 90\u201393. (In Russian).<\/li>\n<li>Altynbayeva G. M. <em>Estetika A. I.<\/em> <em>Solzhenitsyna: teoreticheskaya refleksiya i khudozhestvennaya praktika <\/em>[Aesthetics of A. I. 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The article investigates The Gulag Archipelago and demonstrates the influence of Chekhov\u2019s poetics on A. I. Solzhenitsyn\u2019s work. The authors of the research do not discuss the obvious connections between the works The Island of Sakhalin and The [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-5786","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages\/5786","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/comments?post=5786"}],"version-history":[{"count":0,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages\/5786\/revisions"}],"wp:attachment":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/media?parent=5786"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/categories?post=5786"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/tags?post=5786"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}