{"id":5845,"date":"2024-05-13T14:02:28","date_gmt":"2024-05-13T11:02:28","guid":{"rendered":"https:\/\/vestnik.rsu.edu.ru\/?page_id=5845"},"modified":"2024-06-11T10:51:16","modified_gmt":"2024-06-11T07:51:16","slug":"%d0%b3%d0%b0%d0%b2%d1%80%d0%b8%d1%87-%d0%b2","status":"publish","type":"page","link":"https:\/\/vestnik.rsu-rzn.ru\/en\/%d0%b3%d0%b0%d0%b2%d1%80%d0%b8%d1%87-%d0%b2\/","title":{"rendered":"Gavrich V."},"content":{"rendered":"<p><\/p>\n<p>Axiology of nature in the context of the Russian path and the Kosovo Testament\u00a0 (F. M. Dostoevsky\u2019s The Brothers Karamazov and P. P. Njegos\u2019s The Ray of the Microcosm) P. 109 \u2013118.<\/p>\n<p><a href=\"https:\/\/vestnik.rsu-rzn.ru\/wp-content\/uploads\/2024\/06\/\u0412\u0435\u0441\u0442\u043d\u0438\u043a-\u2116-1_-2024-\u043c\u0430\u043a\u0435\u0442-109-118.pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-4264 size-full\" src=\"https:\/\/vestnik.rsu-rzn.ru\/wp-content\/uploads\/2020\/04\/pdf-2020.png\" alt=\"\" width=\"68\" height=\"85\" \/><\/a><\/p>\n<p>UDC 821.161.1-31.09\u00ab18\u00bb+821.163.41-1.09\u00ab18\u00bb<\/p>\n<p>DOI 10.37724\/RSU.2024.82.1.011<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><strong><em>Abstract. <\/em><\/strong>The article examines the efficiency of the axiological approach to studying artistic works and conducts a comprehensive comparative analysis of nature in the novel <em>The Brothers Karamazov<\/em> by F. M. Dostoevsky and in the poem <em>The Ray of the Microcosm <\/em>by P. P. Njegos. Both authors touch upon and reveal the specifics of the uniqueness of the Russian and Serbian cultural codes. The scientific novelty of this study lies in the fact that it is the first attempt to conduct a comparative axiological analysis of nature in the works of Russian and Serbian writers in the context of the Russian path and the Kosovo Testament. As a result of the research undertaken, it is established that the landscape in the works of writers serves as a means of introducing characters to the grace of God. It is shown how the idea of <em>pochvennichestvo<\/em> can be traced in Dostoevsky\u2019s favorite characters (Alyosha and the elder Zosima). In their poetic landscapes, the earthly and cosmic merge succinctly, and man and humanity are inextricably linked with them. Nature in <em>The Brothers Karamazov<\/em> and in <em>The Ray of the Microcosm<\/em> is a special way of artistic comprehension of reality. It has a sacred function, and its aesthetics are determined by the Christocentric idea of nature as a divine creation.<\/p>\n<p style=\"text-align: justify;\">\u00a0<\/p>\n<p style=\"text-align: justify;\"><strong>Bibliography<\/strong><\/p>\n<ol>\n<li style=\"text-align: justify;\">Barsht K. A. About the concept of soil in the works of senior Slavophiles and in the works of F. M. Dostoevsky in the 1860\u20131870s. <em>Vestnik Sankt-Peterburgskogo universiteta. Yazyk i literatura<\/em> [Bulletin of St. Petersburg University. Language and literature]. 2022, vol. 19, iss. 1, pp. 4\u201328. (In Russian).<\/li>\n<li style=\"text-align: justify;\">Berdyaev N. <em>Smysl istorii<\/em> [The meaning of history]. Moscow, Mysl Publ., 1990, 162 p. (In Russian).<\/li>\n<li style=\"text-align: justify;\">Berdyaev N. A. The main idea of Vl. Solovyov. <em> Solovyev: Pro et contra<\/em> [Vl. Solovyov: Pro et contra]. St. Petersburg, 2002, vol. 2, pp. 688\u2013694. 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M. <em>Polnoye sobraniye sochineniy: v 30 t. <\/em>[Complete works: in 30 vols.]. Ed. by V. G. Bazanov. Leningrad, Nauka Publ., 1972\u20131990, vol. 10, 519 p.; vol. 14, 511 p.; vol. 19, 359 p. (In Russian).<\/li>\n<li style=\"text-align: justify;\">Durylin S. Landscape in the works of Dostoevsky. <em>Dostoyevskiy i mirovaya kultura: alm. <\/em>[Dostoevsky and world culture: almanac]. Ed. by K. A. Stepanyan. Moscow, RGALI Publ., 2009, iss. 25, pp. 473\u2013508. Available at: dostoevskiy_i_mirovaya_kul_tura_al_manakh_25.pdf (accessed: 25.10.2023). (In Russian).<\/li>\n<li style=\"text-align: justify;\">Justin (Popovich), Rev. <em>Filosofiya i religiya F. M. Dostoyevskogo <\/em>[Philosophy and religion of F. M. Dostoevsky]. Moscow, D. V. Kharchenko Publ., 2007, 312 p. (In Russian).<\/li>\n<li style=\"text-align: justify;\">Kasatkina T. A. <em>O tvoryashchey prirode slova. Ontologichnost slova v tvorchestve F. M. Dostoyevskogo <\/em><em>kak osnova \u201crealizma v vysshem smysle\u201d<\/em> [About the creative nature of the word. The ontology of the word in the works of F. M. Dostoevsky as the basis of \u201crealism in the highest sense\u201d]. Moscow, IMLI RAS Publ., 2004, 480 p. (In Russian).<\/li>\n<li style=\"text-align: justify;\">Krinitsyn A. B. About the Gospel epigraph to F. M. Dostoevsky\u2019s novel \u201cThe Brothers Karamazov\u201d. <em>Pravoslavnaya beseda.<\/em> [Orthodox discourse]. 1993, iss. 5\u20136, pp. 53\u201359. (In Russian).<\/li>\n<li style=\"text-align: justify;\">Nakamura K. <em>Chuvstvo zhizni i smerti u Dostoyevskogo<\/em> [Dostoevsky\u2019s sense of life and death]. St. Petersburg, Dmitry Bulanin Publ., 1997, 331 p. (In Russian).<\/li>\n<li style=\"text-align: justify;\">Njegos P. P. <em>Gornyy venets<\/em> [Mountain Crown]. 2007. Available at: https:\/\/www.montenegrina.net\/pages\/pages_ru\/knjizevnost\/gorski_vijenac.html (accessed: 09.10.2023). 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(In Serbian).<\/li>\n<li style=\"text-align: justify;\">Marcel Gabriel. Une atteinte au sacr\u00e9 [An attack on the sacred.]. <em>Le Figaro<\/em>. 1970, June, 12, p. 3. (In French).<\/li>\n<li style=\"text-align: justify;\">Radovi\u045b A. Divine revelation as the inner melody of Njegos\u2019s work. <em>Od kosovskogo zaveta do Njego\u0161evog makrokozma<\/em> [From Kosovo Testament to Njegos\u2019s macrocosm]. 2014, pp. 3\u20139. (In Serbian).<\/li>\n<li style=\"text-align: justify;\">Sekuli\u045b I. <em>Njego\u0161u knjiga duboke odanosti<\/em> [Njegos\u2019s book of deep devotion]. Beograd, Srpska kizhevna zadruga, 1951, 394 p. (In Serbian).<\/li>\n<\/ol>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Axiology of nature in the context of the Russian path and the Kosovo Testament\u00a0 (F. M. Dostoevsky\u2019s The Brothers Karamazov and P. P. Njegos\u2019s The Ray of the Microcosm) P. 109 \u2013118. UDC 821.161.1-31.09\u00ab18\u00bb+821.163.41-1.09\u00ab18\u00bb DOI 10.37724\/RSU.2024.82.1.011 &nbsp; &nbsp; Abstract. The article examines the efficiency of the axiological approach to studying artistic works and conducts a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-5845","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages\/5845","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/comments?post=5845"}],"version-history":[{"count":0,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages\/5845\/revisions"}],"wp:attachment":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/media?parent=5845"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/categories?post=5845"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/tags?post=5845"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}