![\"\"](\"https:\/\/vestnik.rsu-rzn.ru\/wp-content\/uploads\/2020\/04\/pdf-2020.png\")
<\/a><\/p>\nUDC 821.161.1-32.09\u00ab19\u00bb<\/p>\n
DOI 10.37724\/RSU.2024.83.2.014<\/p>\n
<\/p>\n
Abstract. <\/em><\/strong>The article examines the genre specificity of A. I. Solzhenitsyn\u2019s two-part story Apricot Jam<\/em>. The peculiarity of this genre formation is that, despite the relative completeness and independence of the two parts, the problems of the complete work are revealed only by comparing them and identifying the interrelated details, symbols, and motifs. It is stated that the story shows two different poles of Soviet reality: the hungry, cold life, exhausting forced labor of a simple Russian man Fyodor Ivanovich and the comfort and intellectual entertainment for the inventors of lies (the Writer, Vasily Kiprianovich, and the Critic). Both of these poles are united by the symbolic image of \u201capricot jam.\u201d<\/p>\n\u00a0<\/em><\/strong><\/p>\nKeywords: <\/em><\/strong>a two-part story, genre, detail, symbol, Apricot Jam<\/em>, A. I. Solzhenitsyn.<\/p>\n <\/p>\n
Bibliography <\/strong><\/p>\n <\/p>\n
\n- Vagapova A. M. The phenomenon of A. I. Solzhenitsyn: his two-part stories as a special variety of the small epic form. Aktualnyye problemy filologii<\/em> [Current problems of philology]. 2020, iss. 20, pp. 22\u201328. (In Russian).<\/li>\n
- Gerasimova E. A. Signs of national cultural style in A. I. Solzhenitsyn\u2019s two-part story \u201cApricot Jam\u201d. Natsionalnyy stil russkoy literaturnoy klassiki: materialy VIII mezhvuz. nauch.-prakt. konf. <\/em>[National style of Russian literary classics: materials of the VIII inter-university scientific-practical conference]. Ed by G. I. Romanova, I. N. Raykova; gen. ed. S. A. Vasiliev. Moscow, MGPU Publ., 2023, pp. 37\u201350. (In Russian).<\/li>\n
- Gerasimova L. Etyudy o Solzhenitsyne<\/em>[Sketches about Solzhenitsyn]. Saratov, Novyy veter Publ., 2007, 129 p. (In Russian).<\/li>\n
- Kolobrodova L. The author and the hero in A. I. Solzhenitsyn\u2019s two-part story \u201cApricot Jam\u201d. Vestnik Chelyabinskogo gosudarstvennogo universiteta. Ser. \u201cFilologiya. Iskusstvovedeniye\u201d <\/em>[Bulletin of Chelyabinsk State University. Ser. \u201cPhilology. Art history\u201d]. 2015, iss. 20 (375), iss. 97, pp. 56\u201361. (In Russian).<\/li>\n
- Kuzmin V. \u201cTwo-part stories\u201d by A. I. Solzhenitsyn. Tverskoy Solzhenitsynskiy sbornik <\/em>[Tver Solzhenitsyn collection]. Ed. by V. Yudin, V. Kuzmin. Tver, Tver State University Publ., 1998, 120 p. (In Russian).<\/li>\n
- Melentyeva I. E. The mystic of revolutions: the theme of the revolution of 1917 and its consequences in the two-part stories of A. I. Solzhenitsyn. Aleksandr Solzhenitsyn: vzglyad iz XXI veka: materialy mezhdunar. nauch. konf. <\/em>[Alexander Solzhenitsyn: a view from the 21st<\/sup> century: materials of the international scientific conference]. Comp. by L. I. Saraskina. Moscow, 2019, pp. 301\u2013311. (In Russian).<\/li>\n
- Posadskaya L. \u201cTwo-part stories\u201d by A. I. Solzhenitsyn. Peculiarities of plot structure and characters. I. Solzhenitsyn i russkaya kultura: mezhvuz. sb. nauch. tr. <\/em>[A. I. Solzhenitsyn and Russian culture: interuniversity collection of scientific works]. Saratov, Saratov Pedagogical Institute Publ., 1999, 198 p. (In Russian).<\/li>\n
- Savina L. Stylistic contrast as a principle of text organization in A. I. Solzhenitsyn\u2019s story \u201cApricot Jam\u201d. Vestnik Volgogradskogo universiteta. Ser. 2, Yazykoznaniye<\/em>[Bulletin of Volgograd University. Ser. 2, Linguistics]. 2006, iss. 5, pp. 77\u201381. (In Russian).<\/li>\n
- Solzhenitsyn A. I. Sobraniye sochineniy: v 30 t. <\/em>[Collected works: in 30 vols.]. Ed. and comp. by D. Solzhenitsyn; comment. by V. V. Radzishevsky. Moscow, Vremya Publ., 2010-, vol. 1, 2007, 672 p., vol. 29, 2021, 880 p. (In Russian).<\/li>\n
- Spivakovsky P. Fenomen A. I. Solzhenitsyna: novyy vzglyad (k 80-letiyu so dnya rozhdeniya) <\/em>[The phenomenon of A. I. Solzhenitsyn: a new approach (on his 80th<\/sup> anniversary)]. Moscow, 1998, 135 p. (In Russian).<\/li>\n
- Shneerson M. Three portraits of the proletarian count (A. N. Tolstoy). Novyy zhurnal<\/em> [New journal]. 2001, iss. 222, pp. 211\u2013214. (In Russian).<\/li>\n<\/ol>\n
<\/p>","protected":false},"excerpt":{"rendered":"
Genre originality of A. I. Solzhenitsyn\u2019s story Apricot Jam. Pp. 127\u2013132. UDC 821.161.1-32.09\u00ab19\u00bb DOI 10.37724\/RSU.2024.83.2.014 Abstract. The article examines the genre specificity of A. I. Solzhenitsyn\u2019s two-part story Apricot Jam. The peculiarity of this genre formation is that, despite the relative completeness and independence of the two parts, the problems of the complete work […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-5980","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages\/5980","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/comments?post=5980"}],"version-history":[{"count":0,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages\/5980\/revisions"}],"wp:attachment":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/media?parent=5980"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/categories?post=5980"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/tags?post=5980"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}