{"id":6597,"date":"2026-03-24T07:49:35","date_gmt":"2026-03-24T04:49:35","guid":{"rendered":"https:\/\/vestnik.rsu-rzn.ru\/?page_id=6597"},"modified":"2026-07-29T11:15:48","modified_gmt":"2026-07-29T08:15:48","slug":"6597-2","status":"publish","type":"page","link":"https:\/\/vestnik.rsu-rzn.ru\/en\/6597-2\/","title":{"rendered":"The artistic function of female characters in part 1 of A. N. Tolstoy\u2019s novel Peter the First"},"content":{"rendered":"<p><strong>Pages:<\/strong> 134-141 \u00a0|\u00a0 <strong>DOI:<\/strong> 10.37724\/RSU.2026.90.1.013 \u00a0|\u00a0 <strong>UDK:<\/strong> 821.161.1-31.09\u00ab19\u00bb<\/p>\n<p><strong>Chervonenko S.M.<\/strong><br \/>\nBauman Moscow State Technical University (Mytishchi Branch)<\/p>\n<p><strong>Abstract<\/strong><\/p>\n<p>This article examines A. N. Tolstoy\u2019s novel Peter the First. The analysis focuses on a number of female. Particular attention is paid to the poetics of the images of Tsarina Evdokia, the Tsar\u2019s German lover Anna Mons, and the Electresses Sophia and her daughter Sophia Charlotte. This allows for tracing the dynamics of one of the novel\u2019s main themes: the relationship between Russian and Western cultural traditions. Parallels are drawn with the final part of D. S. Merezhkovsky\u2019s trilogy Antichrist. Peter and Alexis. The research analyzes its continuity and novelties in revealing the main theme of the whole work. The author\u2019s interpretation of destiny and family happiness in connection with the depiction of Tsarina Eudoxia and other female characters in the first book is considered. The comparative analysis not only highlights the stylistic features of the narrative in Tolstoy\u2019s novel but also leads to a conceptual understanding of the issues within the literary work as a whole: the confrontation and interaction of Russian and European civilizations. The depiction of the positive and negative aspects of both world orders is revealed, showing how the writer emphasizes this. The article also focuses on the themes of the mystery and uniqueness of the Russian mentality, paying attention to the deep foundation of the Christian moral way of life, the thorny path of development, and how it leads the author of the novel to the difficult issue of the paths of Russia\u2019s past, present, and future. The research confirms that issues of gender relations, especially within the family, hold particular spiritual and moral significance and influence not only in the development of an individual, shaping their worldview, but also the structure of public life in the state as a whole.<\/p>\n<p><strong>Keywords:<\/strong> paths of development of Russia and Europe, Tsar Peter, female characters, spiritual and moral traditions, family and state structure of life<\/p>\n<p><strong>Funding:<\/strong><\/p>\n<p>none<\/p>\n<p><strong>References<\/strong><\/p>\n<p>1. \u0410\u043b\u0435\u043a\u0441\u0435\u0439 \u0422\u043e\u043b\u0441\u0442\u043e\u0439: \u0414\u0438\u0430\u043b\u043e\u0433\u0438 \u0441\u043e \u0432\u0440\u0435\u043c\u0435\u043d\u0435\u043c. \u2014 \u041c. : \u0418\u041c\u041b\u0418 \u0420\u0410\u041d, 2019, 2024. \u2014 \u0412\u044b\u043f. 3. \u2014 2019. \u2014 \u0421. 144\u2013152 ; \u0412\u044b\u043f. 4. \u2014 2024. \u2014 \u0421. 175\u2013194, 310\u2013320.<br \/>\n2. \u0411\u0435\u0440\u0434\u044f\u0435\u0432 \u041d. \u0410. \u0421\u043e\u0431\u0440\u0430\u043d\u0438\u0435 \u0441\u043e\u0447\u0438\u043d\u0435\u043d\u0438\u0439 : \u0432 5 \u0442. \u2014 \u041f\u0430\u0440\u0438\u0436, 1991. \u2014 \u0422. 3. \u2014 342 \u0441.<br \/>\n3. \u0414\u0440\u043e\u043d\u043e\u0432\u0430 \u0422. \u0418. \u0418\u0441\u0442\u043e\u0440\u0438\u043e\u0441\u043e\u0444\u0441\u043a\u0438\u0439 \u0440\u043e\u043c\u0430\u043d \u0414. \u0421. \u041c\u0435\u0440\u0435\u0436\u043a\u043e\u0432\u0441\u043a\u043e\u0433\u043e \u0432 \u043f\u0435\u0440\u0441\u043f\u0435\u043a\u0442\u0438\u0432\u0435 \u0425\u0425 \u0432\u0435\u043a\u0430. \u2014 \u0421\u0430\u0440\u0430\u0442\u043e\u0432 : \u0418\u0437\u0434-\u0432\u043e \u0421\u0430\u0440\u0430\u0442. \u0443\u043d-\u0442\u0430, 2021. \u2014 421 \u0441.<br \/>\n4. \u0418\u043b\u044c\u0438\u043d \u0418. \u0410. \u0421\u043e\u0431\u0440\u0430\u043d\u0438\u0435 \u0441\u043e\u0447\u0438\u043d\u0435\u043d\u0438\u0439 : \u0432 10 \u0442.\u2014 \u041c. : \u0420\u0443\u0441. \u043a\u043d., 1999. \u2014 \u0422. 6. \u2014 672 \u0441.<br \/>\n5. \u041a\u0440\u044e\u043a\u043e\u0432\u0430 \u0410. \u041c. \u0410. \u041d. \u0422\u043e\u043b\u0441\u0442\u043e\u0439 \u0438 \u0440\u0443\u0441\u0441\u043a\u0430\u044f \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430: \u0422\u0432\u043e\u0440\u0447\u0435\u0441\u043a\u0430\u044f \u0438\u043d\u0434\u0438\u0432\u0438\u0434\u0443\u0430\u043b\u044c\u043d\u043e\u0441\u0442\u044c \u0432 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u043e\u043c \u043f\u0440\u043e\u0446\u0435\u0441\u0441\u0435. \u2014 \u041c. : \u041d\u0430\u0443\u043a\u0430, 1990. \u2014 260 \u0441.<br \/>\n6. \u041c\u0435\u0440\u0435\u0436\u043a\u043e\u0432\u0441\u043a\u0438\u0439 \u0414. \u0421. \u0421\u043e\u0431\u0440\u0430\u043d\u0438\u0435 \u0441\u043e\u0447\u0438\u043d\u0435\u043d\u0438\u0439 : \u0432 4 \u0442. \u2014 \u041c. : \u041f\u0440\u0430\u0432\u0434\u0430, 1990. \u2014 \u0422. 2. \u2014 768 \u0441.<br \/>\n7. \u041c\u043e\u0442\u043e\u0440\u0438\u043d \u0410. \u0412. \u0422\u0435\u043e\u0440\u0438\u044f \u0440\u0443\u0441\u0441\u043a\u043e\u0439 \u0441\u043b\u043e\u0432\u0435\u0441\u043d\u043e\u0441\u0442\u0438. \u2014 \u0412. \u041d\u043e\u0432\u0433\u043e\u0440\u043e\u0434 : \u041d\u043e\u0432\u0413\u0423 \u0438\u043c. \u042f\u0440\u043e\u0441\u043b\u0430\u0432\u0430 \u041c\u0443\u0434\u0440\u043e\u0433\u043e, 2013. \u2014 300 \u0441.<br \/>\n8. \u0421\u043e\u043b\u043e\u0432\u044c\u0435\u0432 \u0412. \u0421. \u0421\u043e\u0431\u0440\u0430\u043d\u0438\u0435 \u0441\u043e\u0447\u0438\u043d\u0435\u043d\u0438\u0439 : \u0432 9 \u0442. \u2014 \u041c. : \u041d\u0430\u0443\u043a\u0430, 2001. \u2014 \u0422. 5. \u2014 546 \u0441.<br \/>\n9. \u0422\u043e\u043b\u0441\u0442\u043e\u0439 \u0410. \u041d. \u0421\u043e\u0431\u0440\u0430\u043d\u0438\u0435 \u0441\u043e\u0447\u0438\u043d\u0435\u043d\u0438\u0439 : \u0432 10 \u0442. \u2014 \u041c. : \u0413\u043e\u0441. \u0438\u0437\u0434-\u0432\u043e \u0445\u0443\u0434\u043e\u0436. \u043b\u0438\u0442., 1958\u20131961. \u2014 \u0422. 7. \u2014 1959. \u2014 862 \u0441.<br \/>\n10. \u0422\u043e\u043c\u0430\u0448\u0435\u0432\u0441\u043a\u0438\u0439 \u0411. \u0412. \u0422\u0435\u043e\u0440\u0438\u044f \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b. \u041f\u043e\u044d\u0442\u0438\u043a\u0430. \u2014 \u041c. : \u0410\u043b\u044c\u0442-\u041f\u0440\u0438\u043c\u0430, 2001. \u2014 243 \u0441.<br \/>\n11. \u0422\u044e\u0442\u0447\u0435\u0432 \u0424. \u0418. \u0421\u043e\u0431\u0440\u0430\u043d\u0438\u0435 \u0441\u043e\u0447\u0438\u043d\u0435\u043d\u0438\u0439 : \u0432 2 \u0442. \u2014 \u041c. : \u041f\u0440\u0430\u0432\u0434\u0430, 1980. \u2014 \u0422. 2. \u2014 283 \u0441.<\/p>\n<hr \/>\n<p><a href=\"https:\/\/vestnik.rsu-rzn.ru\/wp-content\/uploads\/2026\/03\/%D0%92%D0%B5%D1%81%D1%82%D0%BD%D0%B8%D0%BA-%E2%84%96-190-2026-%D0%BC%D0%B0%D0%BA%D0%B5%D1%82-134-141.pdf\" download=\"\">Download PDF<\/a><br \/>\n<a href=\"https:\/\/disk.yandex.ru\/d\/udxnomWF5M4H8w\" download=\"\">Download XML<\/a><\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>Pages: 134-141 \u00a0|\u00a0 DOI: 10.37724\/RSU.2026.90.1.013 \u00a0|\u00a0 UDK: 821.161.1-31.09\u00ab19\u00bb Chervonenko S.M. Bauman Moscow State Technical University (Mytishchi Branch) Abstract This article examines A. N. Tolstoy\u2019s novel Peter the First. The analysis focuses on a number of female. Particular attention is paid to the poetics of the images of Tsarina Evdokia, the Tsar\u2019s German lover Anna Mons, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-6597","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages\/6597","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/comments?post=6597"}],"version-history":[{"count":2,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages\/6597\/revisions"}],"predecessor-version":[{"id":6958,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages\/6597\/revisions\/6958"}],"wp:attachment":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/media?parent=6597"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/categories?post=6597"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/tags?post=6597"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}