{"id":6622,"date":"2026-03-24T08:01:22","date_gmt":"2026-03-24T05:01:22","guid":{"rendered":"https:\/\/vestnik.rsu-rzn.ru\/?page_id=6622"},"modified":"2026-03-24T08:02:45","modified_gmt":"2026-03-24T05:02:45","slug":"6622-2","status":"publish","type":"page","link":"https:\/\/vestnik.rsu-rzn.ru\/en\/6622-2\/","title":{"rendered":""},"content":{"rendered":"<p><\/p>\n<p style=\"text-align: center;\"><strong>Erokhina<\/strong><strong> Y.E.<\/strong><\/p>\n<hr \/>\n<p><a href=\"https:\/\/vestnik.rsu-rzn.ru\/wp-content\/uploads\/2026\/03\/\u0412\u0435\u0441\u0442\u043d\u0438\u043a-\u2116-190-2026-\u043c\u0430\u043a\u0435\u0442-166-175.pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-6455\" src=\"https:\/\/vestnik.rsu-rzn.ru\/wp-content\/uploads\/2026\/01\/pdf-2020.png\" alt=\"\" width=\"68\" height=\"85\" \/><\/a><\/p>\n<p>Reception of concepts of <em>Englishness<\/em> in an author\u2019s conceptual sphere (Jane Austen\u2019s works in Elizabeth Gaskell\u2019s novel <em>Wives<\/em><em> and Daughters<\/em> (1866)). Pp. 166\u2013175.<\/p>\n<p>&nbsp;<\/p>\n<p>UDC 821.111-31.09\u00ab18\u00bb<\/p>\n<p>DOI 10.37724\/RSU.2026.90.1.017<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>Abstract<\/em><\/strong><strong>.<\/strong> This article examines the interpretation of certain concepts of <em>Englishness<\/em> that constitute the individual conceptual sphere of Jane Austen\u2019s novels in Elizabeth Gaskell\u2019s last work, <em>Wives and Daughters<\/em> (1866). The relevance of this study stems from the productive and systematic application of conceptual analysis to the artistic worldviews of Victorian writers. This relevance is also driven by the growing processes of globalization in the modern world, which predetermine the blending of ethical attitudes across various social strata and distinct cultures. Victorian women\u2019s fiction, particularly the works of Elizabeth Gaskell and Jane Austen, conveys artistic solutions to significant moral and ethical issues in the context of timeless values.<\/p>\n<p>The purpose of this study is to identify and analyze the authors\u2019 specific representations of the concepts of <em>Englishness<\/em> in the artistic worldviews of Elizabeth Gaskell\u2019s novel <em>Wives and Daughters<\/em> and their consonance with the structural components of Jane Austen\u2019s individual concept sphere. The subject of research is the artistic images conveying the semantic content of the concepts <em>home, common sense, <\/em>and<em> sense of humor<\/em> in the fictional worldview of Elizabeth Gaskell\u2019s novel <em>Wives and Daughters<\/em> (1866).<\/p>\n<p>The author concludes that Elizabeth Gaskell\u2019s work, as well as the development of women\u2019s fiction throughout the Victorian period, was significantly influenced by the works of Jane Austen. Such components of Austen\u2019s individual concept sphere as <em>home, common sense, <\/em>and<em> sense of humor<\/em> are vividly reflected in the artistic images of Gaskell&#8217;s final novel. The next research prospects may focus on the representation of the concepts of <em>Englishness<\/em> in women\u2019s fiction within the historical and literary context of the Victorian era.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>Keywords:<\/em><\/strong> the Victorian era, Jane Austen\u2019s individual concept sphere, concepts of \u201c<em>Englishness<\/em>\u201d, concepts <em>home, common sense, sense of humor<\/em><em>,<\/em> concepts <em>garden, landscape, Green England,<\/em> Molly Gibson, Roger Hamley, \u201clearning to love\u201d.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Bibliography<\/strong><\/p>\n<p>&nbsp;<\/p>\n<ol>\n<li>Aleksina T. A. <em>Ethics of a globalizing world. Vestnik RUDN. Ser. \u201cFilosofiya\u201d<\/em> [Bulletin of RUDN University. 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Victorianism as a cultural phenomenon. <em>Istoriya zarubezhnoy literatury XIX veka: ucheb. posobiye <\/em>[History of foreign literature of the 19<sup>th<\/sup> century: textbook]. N. A. Solovyeva, V. I. Greshnykh, A. A. Druzhinina [et al.]; ed. by N. A. Solovyeva. Moscow, Vysshaya Shk. Publ., 2007, pp. 159\u2013180. (In Russian)<\/li>\n<li>Sumarokova N. V. A significant component of the concept of home in Elizabeth Gaskell\u2019s world of fiction. <em>Mirovaya literatura v kontekste kultury<\/em> [World Literature in the Context of Culture]. 2011, iss. 6, pp. 70\u201374. (In Russian)<\/li>\n<li>Telegina O. V. The Victorian stage of garden aestheticization in the evolution of a national stereotype (based on Elizabeth Gaskell\u2019s novels). <em>Vestnik Nizhegorodskogo universiteta im. N. I. Lobachevskogo<\/em> [Bulletin of Lobachevsky University of Nizhny Novgorod]. 2015, iss. 2 (2), pp. 238\u2013242. (In Russian)<\/li>\n<li>Tsvetkova M. V. The concept of <em>Englishness<\/em>: key constants. <em>Problema natsionalnoy identichnosti v kulture obrazovaniya Rossii i Zapada<\/em> [The issue of national identity in the culture of education in Russia and in the West]. Voronezh, 2000, vol. 2, pp. 7\u201390. (In Russian)<\/li>\n<li>Stoneman P. <em>Elizabeth Gaskell<\/em>. NY, Manchester, Manchester Univ. Press, 2006, 191 p.<\/li>\n<\/ol>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Erokhina Y.E. Reception of concepts of Englishness in an author\u2019s conceptual sphere (Jane Austen\u2019s works in Elizabeth Gaskell\u2019s novel Wives and Daughters (1866)). Pp. 166\u2013175. &nbsp; UDC 821.111-31.09\u00ab18\u00bb DOI 10.37724\/RSU.2026.90.1.017 &nbsp; Abstract. This article examines the interpretation of certain concepts of Englishness that constitute the individual conceptual sphere of Jane Austen\u2019s novels in Elizabeth Gaskell\u2019s [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-6622","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages\/6622","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/comments?post=6622"}],"version-history":[{"count":0,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages\/6622\/revisions"}],"wp:attachment":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/media?parent=6622"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/categories?post=6622"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/tags?post=6622"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}