{"id":6622,"date":"2026-03-24T08:01:22","date_gmt":"2026-03-24T05:01:22","guid":{"rendered":"https:\/\/vestnik.rsu-rzn.ru\/?page_id=6622"},"modified":"2026-07-29T11:15:28","modified_gmt":"2026-07-29T08:15:28","slug":"6622-2","status":"publish","type":"page","link":"https:\/\/vestnik.rsu-rzn.ru\/en\/6622-2\/","title":{"rendered":"Reception of conceptsof Englishness in an author\u2019s conceptual sphere (Jane Austen\u2019s works in Elizabeth Gaskell\u2019s novel Wives and Daughters (1866))"},"content":{"rendered":"

Pages:<\/strong> 166-175 \u00a0|\u00a0 DOI:<\/strong> 10.37724\/RSU.2026.90.1.017 \u00a0|\u00a0 UDK:<\/strong> 821.111-31.09\u00ab18\u00bb<\/p>\n

Erokhina Y.E.<\/strong>
\nRyazan State University named for S. A. Yesenin<\/p>\n

Abstract<\/strong><\/p>\n

This article examines the interpretation of certain concepts of Englishness that constitute the individual conceptual sphere of Jane Austen\u2019s novels in Elizabeth Gaskell\u2019s last work, Wives and Daughters (1866). The relevance of this study stems from the productive and systematic application of conceptual analysis to the artistic worldviews of Victorian writers. This relevance is also driven by the growing processes of globalization in the modern world, which predetermine the blending of ethical attitudes across various social strata and distinct cultures. Victorian women\u2019s fiction, particularly the works of Elizabeth Gaskell and Jane Austen, conveys artistic solutions to significant moral and ethical issues in the context of timeless values. The purpose of this study is to identify and analyze the authors\u2019 specific representations of the concepts of Englishness in the artistic worldviews of Elizabeth Gaskell\u2019s novel Wives and Daughters and their consonance with the structural components of Jane Austen\u2019s individual concept sphere. The subject of research is the artistic images conveying the semantic content of the concepts home, common sense, and sense of humor in the fictional worldview of Elizabeth Gaskell\u2019s novel Wives and Daughters (1866). The author concludes that Elizabeth Gaskell\u2019s work, as well as the development of women\u2019s fiction throughout the Victorian period, was significantly influenced by the works of Jane Austen. Such components of Austen\u2019s individual concept sphere as home, common sense, and sense of humor are vividly reflected in the artistic images of Gaskell’s final novel. The next research prospects may focus on the representation of the concepts of Englishness in women\u2019s fiction within the historical and literary context of the Victorian era.<\/p>\n

Keywords:<\/strong> the Victorian era, Jane Austen\u2019s individual concept sphere, concepts of \u201cEnglishness\u201d, concepts home, common sense, sense of humor, concepts garden, landscape, Green England, Molly Gibson, Roger Hamley, \u201clearning to love\u201d<\/p>\n

Funding:<\/strong><\/p>\n

none<\/p>\n

References<\/strong><\/p>\n

1. \u0410\u043b\u0435\u043a\u0441\u0438\u043d\u0430 \u0422. \u0410. \u042d\u0442\u0438\u043a\u0430 \u0433\u043b\u043e\u0431\u0430\u043b\u0438\u0437\u0438\u0440\u0443\u044e\u0449\u0435\u0433\u043e\u0441\u044f \u043c\u0438\u0440\u0430 \/\/ \u0412\u0435\u0441\u0442\u043d\u0438\u043a \u0420\u0423\u0414\u041d. \u0421\u0435\u0440. \u00ab\u0424\u0438\u043b\u043e\u0441\u043e\u0444\u0438\u044f\u00bb. \u2014 2013. \u2014 \u2116 3. \u2014 \u0421. 64\u201373.
\n2. \u0412\u0430\u0441\u0438\u043b\u044c\u0435\u0432\u0430 \u042d. \u0412. \u042d\u043f\u0438\u0441\u0442\u0435\u043c\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u0438\u0435 \u043f\u0430\u0440\u0430\u0434\u0438\u0433\u043c\u044b \u0432 \u0440\u043e\u043c\u0430\u043d\u0435 \u042d. \u0413\u0430\u0441\u043a\u0435\u043b\u043b \u00ab\u0416\u0451\u043d\u044b \u0438 \u0434\u043e\u0447\u0435\u0440\u0438\u00bb \/\/ \u0412\u0435\u0441\u0442\u043d\u0438\u043a \u041b\u0435\u043d\u0438\u043d\u0433\u0440\u0430\u0434\u0441\u043a\u043e\u0433\u043e \u0433\u043e\u0441\u0443\u0434\u0430\u0440\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0433\u043e \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u0430 \u0438\u043c\u0435\u043d\u0438 \u0410. \u0421. \u041f\u0443\u0448\u043a\u0438\u043d\u0430. \u2014 2015. \u2014 \u0422. 1, \u2116 2. \u2014 \u0421. 103\u2013111.
\n3. \u0413\u0430\u0441\u043a\u0435\u043b\u043b \u042d. \u0416\u0451\u043d\u044b \u0438 \u0434\u043e\u0447\u0435\u0440\u0438. \u2014 \u0425\u0430\u0440\u044c\u043a\u043e\u0432 ; \u0411\u0435\u043b\u0433\u043e\u0440\u043e\u0434 : \u041a\u043d. \u043a\u043b\u0443\u0431 \u00ab\u041a\u043b\u0443\u0431 \u0441\u0435\u043c\u0435\u0439\u043d\u043e\u0433\u043e \u0434\u043e\u0441\u0443\u0433\u0430\u00bb, 2017. \u2014 848 \u0441.
\n4. \u0415\u0440\u043e\u0445\u0438\u043d\u0430 \u042e. \u0415. \u041a\u043e\u043d\u0446\u0435\u043f\u0442\u044b \u00ab\u0430\u043d\u0433\u043b\u0438\u0439\u0441\u043a\u043e\u0441\u0442\u0438\u00bb \u0432 \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u0435 \u0414\u0436\u0435\u0439\u043d \u041e\u0441\u0442\u0438\u043d : \u0430\u0432\u0442\u043e\u0440\u0435\u0444. \u0434\u0438\u0441. \u2026 \u043a\u0430\u043d\u0434. \u0444\u0438\u043b\u043e\u043b. \u043d\u0430\u0443\u043a : 10.01.03. \u2014 \u041c., 2022. \u2014 22 \u0441.
\n5. \u0415\u0440\u043e\u0445\u0438\u043d\u0430 \u042e. \u0415. \u041a\u043e\u043d\u0446\u0435\u043f\u0442\u044b \u00ab\u0430\u043d\u0433\u043b\u0438\u0439\u0441\u043a\u043e\u0441\u0442\u0438\u00bb \u0432 \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u0435 \u0414\u0436\u0435\u0439\u043d \u041e\u0441\u0442\u0438\u043d : \u0434\u0438\u0441. \u2026 \u043a\u0430\u043d\u0434. \u0444\u0438\u043b\u043e\u043b. \u043d\u0430\u0443\u043a : 10.01.03. \u2014 \u041c., 2022. \u2014 200 \u0441.
\n6. \u0417\u0443\u0441\u043c\u0430\u043d \u0412. \u0413., \u0424\u0440\u043e\u043b\u043e\u0432 \u0410. \u0410. \u041c\u0435\u0436\u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u0430\u044f \u043a\u043e\u043c\u043c\u0443\u043d\u0438\u043a\u0430\u0446\u0438\u044f : \u0443\u0447\u0435\u0431. \u043f\u043e\u0441\u043e\u0431\u0438\u0435. \u2014 \u041d. \u041d\u043e\u0432\u0433\u043e\u0440\u043e\u0434, 1997. \u2014313 \u0441.
\n7. \u0417\u0443\u0441\u043c\u0430\u043d \u0412. \u0413. \u0414\u0438\u0430\u043b\u043e\u0433 \u0438 \u043a\u043e\u043d\u0446\u0435\u043f\u0442 \u0432 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0435. \u041b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430 \u0438 \u043c\u0443\u0437\u044b\u043a\u0430. \u2014 \u041d. \u041d\u043e\u0432\u0433\u043e\u0440\u043e\u0434, 2001. \u2014 167 \u0441.
\n8. \u0417\u0443\u0441\u043c\u0430\u043d \u0412. \u0413. \u041a\u043e\u043d\u0446\u0435\u043f\u0442 \u0432 \u0441\u0438\u0441\u0442\u0435\u043c\u0435 \u0433\u0443\u043c\u0430\u043d\u0438\u0442\u0430\u0440\u043d\u043e\u0433\u043e \u0437\u043d\u0430\u043d\u0438\u044f \/\/ \u0412\u043e\u043f\u0440\u043e\u0441\u044b \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b. \u2014 2003. \u2014 \u2116 2. \u2014 \u0421. 3\u201329.
\n9. \u041e\u0441\u0442\u0438\u043d \u0414. \u0413\u043e\u0440\u0434\u043e\u0441\u0442\u044c \u0438 \u043f\u0440\u0435\u0434\u0443\u0431\u0435\u0436\u0434\u0435\u043d\u0438\u0435 \/ \u043f\u0435\u0440. \u0418. \u0421. \u041c\u0430\u0440\u0448\u0430\u043a\u0430. \u2014 \u041c. : \u041d\u0430\u0443\u043a\u0430, 1967. \u2014 624 \u0441.
\n10. \u0420\u0435\u043c\u0438\u0437\u043e\u0432 \u0411. \u0411. \u042d\u043b\u0438\u0437\u0430\u0431\u0435\u0442 \u0413\u0430\u0441\u043a\u0435\u043b\u043b: \u041e\u0447\u0435\u0440\u043a \u0436\u0438\u0437\u043d\u0438 \u0438 \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u0430. \u2014 \u041a\u0438\u0435\u0432 : \u0412\u0438\u0449\u0430 \u0448\u043a., 1974. \u2014 173 \u0441.
\n11. \u0421\u043e\u043b\u043e\u0432\u044c\u0435\u0432\u0430 \u041d. \u0410. \u0412\u0438\u043a\u0442\u043e\u0440\u0438\u0430\u043d\u0441\u0442\u0432\u043e \u043a\u0430\u043a \u0444\u0435\u043d\u043e\u043c\u0435\u043d \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u044b \/\/ \u0418\u0441\u0442\u043e\u0440\u0438\u044f \u0437\u0430\u0440\u0443\u0431\u0435\u0436\u043d\u043e\u0439 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b XIX \u0432\u0435\u043a\u0430 : \u0443\u0447\u0435\u0431. \u043f\u043e\u0441\u043e\u0431\u0438\u0435 \/ \u041d. \u0410. \u0421\u043e\u043b\u043e\u0432\u044c\u0435\u0432\u0430, \u0412. \u0418. \u0413\u0440\u0435\u0448\u043d\u044b\u0445, \u0410. \u0410. \u0414\u0440\u0443\u0436\u0438\u043d\u0438\u043d\u0430 [\u0438 \u0434\u0440.] ; \u043f\u043e\u0434 \u0440\u0435\u0434. \u041d. \u0410. \u0421\u043e\u043b\u043e\u0432\u044c\u0435\u0432\u043e\u0439. \u2014 \u041c. : \u0412\u044b\u0441\u0448. \u0448\u043a., 2007. \u2014 Pp. 159\u2013180.
\n12. \u0421\u0443\u043c\u0430\u0440\u043e\u043a\u043e\u0432\u0430 \u041d. \u0412. \u0417\u043d\u0430\u0447\u0438\u043c\u043e\u0441\u0442\u043d\u0430\u044f \u0441\u043e\u0441\u0442\u0430\u0432\u043b\u044f\u044e\u0449\u0430\u044f \u043a\u043e\u043d\u0446\u0435\u043f\u0442\u0430 \u0434\u043e\u043c \u0432 \u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0439 \u043a\u0430\u0440\u0442\u0438\u043d\u0435 \u043c\u0438\u0440\u0430 \u042d\u043b\u0438\u0437\u0430\u0431\u0435\u0442 \u0413\u0430\u0441\u043a\u0435\u043b\u043b \/\/ \u041c\u0438\u0440\u043e\u0432\u0430\u044f \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430 \u0432 \u043a\u043e\u043d\u0442\u0435\u043a\u0441\u0442\u0435 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u044b. \u2014 2011. \u2014 \u2116 6. \u2014 \u0421. 70\u201374.
\n13. \u0422\u0435\u043b\u0435\u0433\u0438\u043d\u0430 \u041e. \u0412. \u0412\u0438\u043a\u0442\u043e\u0440\u0438\u0430\u043d\u0441\u043a\u0438\u0439 \u044d\u0442\u0430\u043f \u044d\u0441\u0442\u0435\u0442\u0438\u0437\u0430\u0446\u0438\u0438 \u0441\u0430\u0434\u0430 \u0432 \u044d\u0432\u043e\u043b\u044e\u0446\u0438\u0438 \u043d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u0441\u0442\u0435\u0440\u0435\u043e\u0442\u0438\u043f\u0430 (\u043d\u0430 \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u0435 \u0440\u043e\u043c\u0430\u043d\u043e\u0432 \u042d\u043b\u0438\u0437\u0430\u0431\u0435\u0442 \u0413\u0430\u0441\u043a\u0435\u043b\u043b) \/\/ \u0412\u0435\u0441\u0442\u043d\u0438\u043a \u041d\u0438\u0436\u0435\u0433\u043e\u0440\u043e\u0434\u0441\u043a\u043e\u0433\u043e \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u0430 \u0438\u043c. \u041d. \u0418. \u041b\u043e\u0431\u0430\u0447\u0435\u0432\u0441\u043a\u043e\u0433\u043e. \u2014 2015. \u2014 \u2116 2 (2). \u2014 \u0421. 238\u2013242.
\n14. \u0426\u0432\u0435\u0442\u043a\u043e\u0432\u0430 \u041c. \u0412. \u041a\u043e\u043d\u0446\u0435\u043f\u0442 \u201cEnglishness\u201d: \u043e\u0441\u043d\u043e\u0432\u043d\u044b\u0435 \u043a\u043e\u043d\u0441\u0442\u0430\u043d\u0442\u044b \/\/ \u041f\u0440\u043e\u0431\u043b\u0435\u043c\u0430 \u043d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u044c\u043d\u043e\u0439 \u0438\u0434\u0435\u043d\u0442\u0438\u0447\u043d\u043e\u0441\u0442\u0438 \u0432 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0435 \u043e\u0431\u0440\u0430\u0437\u043e\u0432\u0430\u043d\u0438\u044f \u0420\u043e\u0441\u0441\u0438\u0438 \u0438 \u0417\u0430\u043f\u0430\u0434\u0430. \u2014 \u0412\u043e\u0440\u043e\u043d\u0435\u0436, 2000 \u2014 \u0422. 2. \u2014 \u0421. 7\u201390.
\n15. Stoneman P. Elizabeth Gaskell. \u2014 NY ; Manchester : Manchester Univ. Press, 2006. \u2014 191 p.<\/p>\n

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Pages: 166-175 \u00a0|\u00a0 DOI: 10.37724\/RSU.2026.90.1.017 \u00a0|\u00a0 UDK: 821.111-31.09\u00ab18\u00bb Erokhina Y.E. Ryazan State University named for S. A. Yesenin Abstract This article examines the interpretation of certain concepts of Englishness that constitute the individual conceptual sphere of Jane Austen\u2019s novels in Elizabeth Gaskell\u2019s last work, Wives and Daughters (1866). The relevance of this study stems from […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-6622","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages\/6622","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/comments?post=6622"}],"version-history":[{"count":3,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages\/6622\/revisions"}],"predecessor-version":[{"id":6957,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages\/6622\/revisions\/6957"}],"wp:attachment":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/media?parent=6622"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/categories?post=6622"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/tags?post=6622"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}