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Pages:<\/strong> 102-112 \u00a0|\u00a0 DOI:<\/strong> 10.37724\/RSU.2026.91.2.010 \u00a0|\u00a0 UDK:<\/strong> 811.161.1\u00b442<\/p>\n Yuzhakova Y.A.<\/strong> Karimov K.A.U.<\/strong> Abstract<\/strong><\/p>\n The article examines inversion as a figurative and expressive device, a means of actual division, and a way of rhythmic and melodic organization in a poem. It notes the following features of Yesenin\u2019s word order: preposition of the word being defined, break between the principal members of a sentence and insertion of a group of secondary members between the subject and the predicate, use of negation at the beginning of a line, further reinforced by verb gradation. In most cases, S. Yesenin poet used inversion to give his speech discourse a conversational quality. The indirect word order in S. Yesenin\u2019s poetry is also influenced by the folk poetic tradition and the Ryazan folklore motifs that shaped the poet\u2019s upbringing. Inversion plays a crucial role in enhancing the expressiveness of both a phrase and the overall rhythmic and melodic structure of poetic speech.<\/p>\n Keywords:<\/strong> S. Yesenin, word order, topicalization, inversion, and accentual function<\/p>\n Funding:<\/strong><\/p>\n none<\/p>\n References<\/strong><\/p>\n 1. \u0414\u043c\u0438\u0442\u0440\u0438\u0435\u0432\u0430 \u042e. \u041b. \u042f\u0437\u044b\u043a\u043e\u0432\u044b\u0435 \u0441\u0440\u0435\u0434\u0441\u0442\u0432\u0430 \u0432\u044b\u0440\u0430\u0436\u0435\u043d\u0438\u044f \u043f\u0440\u043e\u0441\u0442\u0440\u0430\u043d\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0439 \u043c\u043e\u0434\u0435\u043b\u0438 \u043c\u0438\u0440\u0430 \u0438 \u0435\u0435 \u043a\u043b\u044e\u0447\u0435\u0432\u044b\u0445 \u043e\u0431\u0440\u0430\u0437\u043e\u0432 (\u043d\u0430 \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u0435 \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u0439 \u0421. \u0410. \u0415\u0441\u0435\u043d\u0438\u043d\u0430) : \u0430\u0432\u0442\u043e\u0440\u0435\u0444. \u0434\u0438\u0441. \u2026 \u0434-\u0440\u0430 \u0444\u0438\u043b\u043e\u043b. \u043d\u0430\u0443\u043a. \u2014 \u0413\u043e\u0440\u043b\u043e\u0432\u043a\u0430, 2024. \u2014 56 \u0441. Download PDF<\/a> <\/p>","protected":false},"excerpt":{"rendered":" Word order and its features in S. A. Yesenin\u2019s lyrics Pages: 102-112 \u00a0|\u00a0 DOI: 10.37724\/RSU.2026.91.2.010 \u00a0|\u00a0 UDK: 811.161.1\u00b442 Yuzhakova Y.A. Ryazan State University named for S. Yesenin Karimov K.A.U. Mamun University Abstract The article examines inversion as a figurative and expressive device, a means of actual division, and a way of rhythmic and melodic organization […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-6766","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages\/6766","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/comments?post=6766"}],"version-history":[{"count":0,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/pages\/6766\/revisions"}],"wp:attachment":[{"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/media?parent=6766"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/categories?post=6766"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vestnik.rsu-rzn.ru\/en\/wp-json\/wp\/v2\/tags?post=6766"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nRyazan State University named for S. Yesenin<\/p>\n
\nMamun University<\/p>\n
\n2. \u0415\u0441\u0435\u043d\u0438\u043d \u0421. \u0410. \u041f\u043e\u043b\u043d\u043e\u0435 \u0441\u043e\u0431\u0440\u0430\u043d\u0438\u0435 \u0441\u043e\u0447\u0438\u043d\u0435\u043d\u0438\u0439 : \u0432 7 \u0442. \/ \u0433\u043b. \u0440\u0435\u0434. \u042e. \u041b. \u041f\u0440\u043e\u043a\u0443\u0448\u0435\u0432 ; \u0418\u041c\u041b\u0418 \u0438\u043c. \u0410. \u041c. \u0413\u043e\u0440\u044c\u043a\u043e\u0433\u043e \u0420\u0410\u041d. \u2014 \u041c. : \u041d\u0430\u0443\u043a\u0430 : \u0413\u043e\u043b\u043e\u0441, 1995. \u2014 \u0422. 1. \u2014 URL : https:\/\/archive.org\/details\/7-.-1-1995\/page\/n1\/mode\/2up (\u0434\u0430\u0442\u0430 \u043e\u0431\u0440\u0430\u0449\u0435\u043d\u0438\u044f: 10.12.2025).
\n3. \u0418\u0432\u0430\u043d\u043e\u0432\u0430 \u041d. \u0410. \u0421\u0438\u043d\u0442\u0430\u043a\u0441\u0438\u0441 \u0438 \u0441\u0435\u043c\u0430\u043d\u0442\u0438\u043a\u0430 \u0432 \u043f\u043e\u044d\u0437\u0438\u0438 \u0421\u0435\u0440\u0433\u0435\u044f \u0415\u0441\u0435\u043d\u0438\u043d\u0430. \u2014 \u041c. : \u0422\u0435\u0445\u043d\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u0430\u044f \u043a\u043d\u0438\u0433\u0430, 2020. \u2014 289 \u0441.
\n4. \u041a\u043e\u0432\u0442\u0443\u043d\u043e\u0432\u0430 \u0418. \u0418. \u0421\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u044b\u0439 \u0440\u0443\u0441\u0441\u043a\u0438\u0439 \u044f\u0437\u044b\u043a \/\/ \u041f\u043e\u0440\u044f\u0434\u043e\u043a \u0441\u043b\u043e\u0432 \u0438 \u0430\u043a\u0442\u0443\u0430\u043b\u044c\u043d\u043e\u0435 \u0447\u043b\u0435\u043d\u0435\u043d\u0438\u0435 \u043f\u0440\u0435\u0434\u043b\u043e\u0436\u0435\u043d\u0438\u044f. \u2014 \u041c. : \u041f\u0440\u043e\u0441\u0432\u0435\u0449\u0435\u043d\u0438\u0435, 1976. \u2014 239 \u0441.
\n5. \u041a\u0440\u0430\u0432\u0446\u043e\u0432 \u041d. \u0418. \u041d\u0430\u0440\u043e\u0434\u043d\u044b\u0439 \u044d\u043b\u0435\u043c\u0435\u043d\u0442 \u0432 \u043f\u043e\u044d\u0437\u0438\u0438 \u0415\u0441\u0435\u043d\u0438\u043d\u0430: \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u0438 \u0438 \u043d\u043e\u0432\u0430\u0442\u043e\u0440\u0441\u0442\u0432\u043e. \u2014 \u041c. : \u0420\u0443\u0441\u0441\u043a\u0438\u0439 \u041c\u0438\u0440, 2022. \u2014 256 \u0441.
\n6. \u0420\u0443\u0441\u0441\u043a\u0430\u044f \u0433\u0440\u0430\u043c\u043c\u0430\u0442\u0438\u043a\u0430 \/ \u043f\u043e\u0434 \u0440\u0435\u0434. \u041d. \u042e. \u0428\u0432\u0435\u0434\u043e\u0432\u043e\u0439. \u2014 \u041c. : \u041d\u0430\u0443\u043a\u0430, 1980. \u0422. 2 : \u0421\u0438\u043d\u0442\u0430\u043a\u0441\u0438\u0441. \u041f\u043e\u0440\u044f\u0434\u043e\u043a \u0441\u043b\u043e\u0432 \u0432 \u0441\u0442\u0438\u0445\u043e\u0442\u0432\u043e\u0440\u043d\u043e\u0439 \u0440\u0435\u0447\u0438. \u00a7 2175. \u2014 URL : https:\/\/rusgram.narod.ru\/2170-2189.html (\u0434\u0430\u0442\u0430 \u043e\u0431\u0440\u0430\u0449\u0435\u043d\u0438\u044f: 10.12.2025).
\n7. \u0424\u043b\u043e\u0440\u044f \u0410. \u0412. \u041f\u043e\u0440\u044f\u0434\u043e\u043a \u0441\u043b\u043e\u0432 \u0432 \u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u043c \u0442\u0435\u043a\u0441\u0442\u0435 \/\/ \u0423\u0447\u0435\u043d\u044b\u0435 \u0437\u0430\u043f\u0438\u0441\u043a\u0438 \u0417\u0430\u0431\u0413\u0413\u041f\u0423. \u0424\u0438\u043b\u043e\u043b\u043e\u0433\u0438\u044f. \u0418\u0441\u0442\u043e\u0440\u0438\u044f. \u0412\u043e\u0441\u0442\u043e\u043a\u043e\u0432\u0435\u0434\u0435\u043d\u0438\u0435. \u2014 2011. \u2014 \u0421. 131\u2013132. \u2014 https:\/\/cyberleninka.ru\/article\/n\/poryadok-slov-v-hudozhestvennom-tekste\/viewer (\u0434\u0430\u0442\u0430 \u043e\u0431\u0440\u0430\u0449\u0435\u043d\u0438\u044f: 10.12.2025).<\/p>\n
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